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  • Welcome / History 
    • Welcome & LSP History
    • History of Logan Square
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  • Sites 1-10 
    • 1. Illinois Centennial Monument
    • 2. Minnekirken
    • 3. Logan Square Auditorium
    • 4. Comfort Station
    • 5. Grace UM Church
    • 6. Lost Cigrand Mansion
    • 7. Rustman "Ice" House
    • 8. Uber House 2940 W Logan
    • 9. Ryan House 2735 W Logan
    • 10. Rath House 2703 W Logan
    • 11. St John Berchmans Parish
  • Sites 11-22 
    • 12. Zuncker House 2312 N Kedzie
    • 13. Kreuter House 2302 N Kedzie
    • 14. Gainer House 2228 N Kedzie
    • 15. Lost Houses of Lyndale
    • 16. Beth-El / Boys & Girls Club
    • 17. Madson House 3080 Palmer
    • 18. Erickson House 3071 Palmer
    • 19. Lost Schwinn Mansion
    • 20. Corydon House 2048 Humboldt
    • 21. Symonds House 2040 Humboldt
    • 22.Painted Ladies-1820 Humboldt
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    • Map
    • • Logan Square
    • • Logan Boulevard
    • • Kedzie Blvd and Palmer St
    • • Humboldt Boulevard
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  • 3080 W. Palmer Square

     

     

     

     

     

     

     

     

     

    Year of construction .................................. 1909
    Original cost to build ............................. $8,500
    Architect ............................ Charles F. Sorensen
    Owner ............................... Christian M. Madson
    Occupation ... Wooden Moldings Manufacturer

  • This picturesque, two-story, single-family home with a side driveway leading to a coach house is prominently situated mid-block on a 50-foot by 124-foot parcel where the Albany Avenue crosswalk meets the north side of Palmer Square. Built in 1909 at a cost of $8,500, the home was designed by Charles F. Sorensen for Christian M. Madson, president of Madson & Ibsen Manufacturing Co.

     

    Sorensen’s design demonstrates a great balance between strength and lightness, vertical and horizontal movement, and ornamentation and simplicity. The home is executed in a Queen Anne Victorian style with some Prairie School overtones, and it stands as a fine example of the eclecticism on display throughout the Logan Square Boulevards Landmark District.
     

    On the primary façade, classically rusticated limestone blocks with meticulously tooled borders graduate to face brick with limestone accents on the first and second floors. The elegant entryway is defined by a pair of narrow stained-glass windows that sit on a single stone sill next to the front entrance. The front entrance is further defined by a face brick detail that extends over the top of the doors and double window, then alongside and between them in a pilaster detail, before coming to rest on three decorative stone corbels (1).

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    Detail of tripartite columns. (KSJ Photo)



    The carved, leafy details of the entryway’s stone corbels are a Victorian touch that is repeated on the face of the stone railing on either side of the front steps (1), and on the capitals of the six stone front porch columns.

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    Key architectural features:

    1. Carved stone front entrance details
    2. Tripartite column grouping and capital detail
    3. Oculus ovule
    4. Octagonal bay and turret

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  • The six ornate stone columns reveal Sorensen’s creativity. Rather than overpowering the front of the home, the columns stand in groupings of three at each side of the front porch (2). The tripartite groupings define the porch corners and strike a careful balance between strength and grace, powerfully defining the front entrance and porch while also drawing the eye upward to the ornate balustrade and openness of the balcony above the porch.

     

    The Prairie School style is reflected near the top of the building, where a curved window with a central door and side windows open to the balcony and a flat, horizontal window sits in a small dormer under a hipped roof.

     

    Of particular note is the corner octagonal bay, which creates a turret with its beautiful detailing in brick and stone (3). The roofline is strongly accented with elongated eaves executed in copper with a double bracket that makes the turret seem to float up to its copper finial. These vertical lines are complemented by horizontal stone banding at the base, windows, floor lines, and roof.

     

    The delicate “oculus ovule” (oval eye) windows facing the first-floor porch and second floor balcony suggest a unifying Victorian influence, as does the stone trim above the balcony door and windows (3).

     

    It’s not known how Christian Madson came to select Charles Sorensen to design his home, but it appears they had many things in common, having emigrated from Denmark in their teens, and both enjoying professional success in construction-related businesses. Perhaps most significant, however, is that Madson and Sorensen had both lived on the 1300 block of Maplewood Avenue north of Potomac Avenue.

    - K.S.J.

  • Architect Charles F. Sorensen

    Charles Sorensen had a natural affinity for architecture. Born in 1862, he was the son of a prominent Danish architect. He completed his studies in Denmark at 16, receiving a diploma for proficiency in draftsmanship. After working as a bricklayer in Sweden for a year, he came to America in 1879 and immediately settled in Chicago. Like many immigrants of the era, Sorensen had an entrepreneurial spirit, first purchasing an interest in an ice business, then opening a stationery store. But his love for building and design soon reemerged, and after three years, he sold his store and returned to bricklaying. He was soon sought out for independent work, and in the mid-1880s, opened his own architectural business.

     

    Sorensen was a prolific architect. According to a professional biography published in 1900, he had approximately 300 buildings to his credit by the time he was 38, having been in business less than 20 years!

     

    Sorensen’s works included a downtown hotel, stores, residences ranging from single-family homes to apartment buildings, and churches. He designed numerous buildings in the area east of Humboldt Park, between Division Street and North Avenue. Many of those neighborhood buildings remain, including at least one of the buildings where Sorensen lived, at the corner of Maplewood and Potomac Avenues. By the time of his death in 1916, Sorensen had moved further northwest, with an office at 3325 West Fullerton Avenue and a home in the Irving Park neighborhood.

     

    Other than Logan Square’s Minnekirken, the most notable of Sorensen’s remaining works is the former Norwegian Lutheran Church located at the corner of Artesian and Potomac Avenues. Built in 1898 and threatened with destruction in recent years, the exterior of the beautifully detailed red-brick-and-stone church has been restored, and its interior renovated and repurposed as condominiums.

    Builder and Owner

    Christian Madson seemed to embody the American dream. Born in Denmark and having had only three years of formal education, he came to America in 1872 at age 19. He soon made his way to Chicago, where he worked as a common laborer until 1874, when he went to work in a wood planing mill, eventually becoming its foreman. From there, he went on to manage another planing mill and factory before starting his own wood molding business, Madson Manufacturing, with an investment of $500 in 1885.

     

    Meanwhile, in 1884, Madson married Mary F. Ibsen, who had also emigrated from Denmark. Their two children, Walter and Alice, lived in the family home at 3080 Palmer into adulthood, until they married.

     

    Madson’s business took off, and he soon expanded his small plant. After more growth, he built a three-story, 30,000-square-foot sawmill at 1812 North Austin Avenue on Chicago’s west side in 1891. That same year, he took on a partner, Christian L. Ibsen, who was not only an employee, but also Madson’s brother-in-law. The two men incorporated the business, establishing Madson & Ibsen Mfg. Co., which continued as a family business for many years. In 1905, the company added another 22,000 square feet of plant space, constructing a second three-story building on Austin Avenue. By 1917, the company had grown from a three-employee startup to a thriving enterprise with 50 employees.

     

    Madson’s business acumen also displayed itself in his personal investments. When he purchased the property for his new home in 1907, he paid nearly $400 less than the seller had spent on it. In 1908 — a year before selling his home on Maplewood for $5,300 and while the Palmer Square home was still under construction — Madson purchased the parcel to the west for $1,750. And in 1910, the Madsons still had sufficient resources to build a brick two-flat residence on the neighboring parcel, No. 3100. Designed by nationally known architect Frank Osborn DeMoney, Madson’s second Palmer Square project cost an estimated $7,500.

     

    Christian Madson left an estate valued at $250,000. At the time of his death in 1925, he and Mary were living at 3317 West Belden Ave., which was designed by T.J. Reynertson. Christian and Mary shared the new two-flat with their daughter, Alice M. Kinberg, after they sold their large Palmer Square home to another Danish immigrant in the building trades.

     

    Walter and his wife lived briefly next door to his parents at No. 3100, but eventually moved further north and ultimately to Highland Park. Walter served as bookkeeper for Madson & Ibsen early in his career and continued the family business after his father’s death, creating a successor company, Walter E. Madson Co.

     

    In the end, the story of 3080 Palmer Square is the story of the success of Christian Madson, who rose from poor, unskilled immigrant to wealthy businessman and provided for his children’s future success.

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